In the Heat of the Night: Reflection
Introduction
Before we watched the film In the Heat of the Night, I thought it was going to be a drama that focused on racism while being made in the 1960s. I am heavily a fan of Sydney Poitier and have watched many of his films especially on TCM or MeTV. During the first 15 minutes I realized that this was going to be a crime mystery that would be heavily circulated around racism and societal issues at the time. But not only this I was captivated by how the characters must progress through the story through going against the systemic and societal barriers which were slowing the process of revealing the true perpetrator of the crime. Though even with this as one of the importances to the story it does not run out the importance of the characters especially through their relationships like Virgil and chief Gillespie.
Virgil Tibbs
The most predominant character of this amazing film is Virgil Tibbs which is casted by Sydney Poitier who's acting makes them come alive. Virgil Tibbs character shows how being great at what you do and that being of help can break boundaries that are put in place by society or hate. As he was in a townduring a murder in which he was accused of and then suddenly they realized he wasn't guilty. They saw that he was a high-ranking detective from up north but then suddenly needed his help for investigation. Virgil wasn't so compliant firstly because of their attitude towards him but later then helped them. Chief Gillespie started to see that Virgil was a good man who was brilliant at being a detective but wouldn't break through the racial barriers. Sydney Poitiers character goes through lots of racism while still trying to help out the department of the small town which shows his characters toughness and love for the law. By the end Virgil sees that his strength carried him through the discrimination which helped him get closer to Chief Gillespie in solving the case.
Chief Gillespie
Chief Gillespie is one of the main characters besides Virgil Tibbs that undergoes much character development by the end of the film. At first, I thought he was going to be the regular racist old Southern police man trope. But it seemed that his conflicts within him relied mostly on the societal values and culture of the town he belonged in. When he gets to know Virgil Tibbs, he quickly asks him for help and tries to investigate with him. When Virgil gets conformable especially at his house Gillespie quickly
shuts him down and stays close to his town's ideals. During the story he imprisoned the wrong people and was very quick to close the case and did not want to listen to Virgil Tibbs. At the climax of the story chief Gillespie sees that Virgil Tibbs is actually a great detective and would make a great friend and says goodbye to him. This was shown that Gillespie was a man whose thoughts were influenced by those around him but really was a man who did believe in law and order.Depiction of Woman
The Films depiction of Woman was shown through Mrs. Colbert and Ms. Purdy. Mrs. Colbert is seen as the wife of the man who was killed and wants justice of who killed him. Virgil Tibbs tells her in the beginning that the man they captured is not the murderer and Mrs. Purdy wants justice to the end. Ms.Purdy is seen as a young independent woman who's flirting with Chief Gillespie and other characters is a characterization of the social norms of small southern towns. Both characters are depictions of woman in Southern towns especially through Mrs. Colbert who is seen as a rich Southern woman and Ms. Purdy as a poor young woman.
Conclusion
This Film In the Heat of the Night made me see a broader depiction of the Southern Societal issues and cultural differences that lie in many of these towns. The main characters show the struggle of racism and the differences of gender that rely in culture that is deeply rooted in their lives. This film did not make men unconformable but reminded me of how many of these themes in the film are still apparent today in many lives North and South of the United States and even the world.